PARALLEL LINES 
  
 
 
 
  PARALLEL LINES
 
  
 
 
In the summer of 2019 Chorus Theatre collaborated with Diseworth Heritage Centre to create a new play called Parallel Lines: A Play About Then and Now. This project was funded by the National Lottery Heritage Fund as part of their programme of work commemorating the anniversary of the First World War.
The aim of this project was to create a performance looking at communication in wartime and how we connect with each other. As part of the project we wanted to engage with local schoolchildren to give them the opportunity to experience and understand the skills and processes of letter writing and communication. 
The play was written following a series of creative writing workshops with schoolchildren from two local schools. They were encouraged to write letters to and from soldiers in the First World War and also to use modern communication methods to write to and from soldiers in the 21st Century. The workshops looked at letter writing skills and how letters would have been written during the First World War. We also covered how people communicate today including using the internet, social media, recorded media and telecommunications. Some of the letters and the contemporary communications created by the children were included as integral parts of the play.
The children at Diseworth and Long Whatton Primary Schools created some wonderful work, showing a real understanding  of  the  subject  matter  and  the  lives  of  soldiers. Their work was a terrific starting point for writing the play. 
Parallel  Lines told  the  story  of  two  soldiers,  Joseph  in  the  First World  War  and  Jodie  in  the  21st Century,  and  showed  how  they communicate with family and friends back home. Parallel Lines was performed by John Savage as Joseph and Shelley Draper as Jodie. The play was written and directed by Andrew McWilliam and produced by Chorus Theatre.
The performances visited a number of rural venues during the short tour and included post-show discussions with audiences at each venue. These discussions included some of the children who contributed to the creation of the play.



